8x10 oil on linen
My chant was..."It's just pigment. It's a little wet, but it's just pigment. Treat it like a pastel, no different. It's just pigment"
I am freeing myself from the tyranny of doing what I know I should do in order to glaze. I think I was getting uptight. I really appreciate all the learning I did (thank you Deborah and Kay), now I am going to try to answer to me. I am trying to live my my old motto I had when I worked exclusively in pastel, "What happens if I .........?" It brought back the excitement I had been missing with my more calculated glazes.
Sorry for the glare on the painting.... I was just excited to post it:-) And even more excited to begin the next one!
Showing posts with label glazing oil and pastel. Show all posts
Showing posts with label glazing oil and pastel. Show all posts
Saturday, October 30, 2010
Sunday, September 19, 2010
glazing:pastel and oil
about 8x14 pastel and watercolor on wallis
For the past couple years I have been trying to find my way with glazing with oils. My oils before were always alla prima, even when big studio pieces. Recently have I intentionally tried to overlap the method from oil to pastel. The methods had been very separate in my repertoire for a long time. The painting above is a good example of the overlap.
watercolor underpainting on wallis
This morning when I traveled out to the lake I planned in my head how to "glaze" the layers. I began with watercolor and tried to use sections and broad sweeps of glazes (light layers that cover more blanket like than marks). I saved the marks to the end and used them sparingly.
For the past couple years I have been trying to find my way with glazing with oils. My oils before were always alla prima, even when big studio pieces. Recently have I intentionally tried to overlap the method from oil to pastel. The methods had been very separate in my repertoire for a long time. The painting above is a good example of the overlap.
watercolor underpainting on wallis
This morning when I traveled out to the lake I planned in my head how to "glaze" the layers. I began with watercolor and tried to use sections and broad sweeps of glazes (light layers that cover more blanket like than marks). I saved the marks to the end and used them sparingly.
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