The latest triptych, this time created with pastel and graphite on paper. I feel my monotypes and drawings are coming closer together.
Showing posts with label subtractive working. Show all posts
Showing posts with label subtractive working. Show all posts
Monday, February 25, 2013
triptych- the lake
The latest triptych, this time created with pastel and graphite on paper. I feel my monotypes and drawings are coming closer together.
Saturday, June 26, 2010
working subtractively
8x12 pastel on Twinrocker
As I work to create new field scenes I made a small jump to Uncle Harold's farm. Making compositional adjustments I took out the mountains and added a lake or field in the distance. I know that I want something to gather distant light.
To create these studies I prefer to work subtractively. That means creating large shapes and erasing, sculpting my way through the pastel to create form. It allows me to make soft sections and lines in a way that is delicate. I used just one sepia colored pastel, rubbed it and erased. To erase so much you really need a tough paper. This is Twinrocker, hot press. The black was created by my erasing, not another pastel. This method is wonderful for just allowing the values to sing.
As I work to create new field scenes I made a small jump to Uncle Harold's farm. Making compositional adjustments I took out the mountains and added a lake or field in the distance. I know that I want something to gather distant light.
To create these studies I prefer to work subtractively. That means creating large shapes and erasing, sculpting my way through the pastel to create form. It allows me to make soft sections and lines in a way that is delicate. I used just one sepia colored pastel, rubbed it and erased. To erase so much you really need a tough paper. This is Twinrocker, hot press. The black was created by my erasing, not another pastel. This method is wonderful for just allowing the values to sing.
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