I begin with notans, tiny sketches that help me understand the compositional possibilities. Insights about how the masses and values will relate on an abstract level are beginning.
The next step is a value painting. It needs to make me feel, even before color is there.
For me it, picking the value painting was a "no-brainer." the top one just flowed. The middle painting was a struggle and its idea may need to be saved for another painting and refined. At the bottom you can see the notans.
9 comments:
I look forward to seeing this painting evolve, Loriann. Interesting that you say it has to make you feel even before the color is added. I love my monochromatic beginnings and struggle not to lose the 'feel' when I add color but it seems that people prefer color in their paintings! Thanks for showing your notans too - so simple but so important!
Hi Donna!
You are so right about the monochromatic beginnings they say so much and we as artists try not to lose their feel.
Are you still up there in Frederick? Have you seen the show down at the NGA "Renaissance to Revolution:French drawings from the NGA?" It's so amazing to see the master's grisailles and sketches. Check it out if you can. i think you will really like it.
I love to see the notans and your process. It always reminds me of just how important this step is. Actually more than important--crucial, really.
b.
nice
pecking wiyh one finger so short.
pb
Hi Karen! You are right, it's more important than we think.
So there's my PB! Take care of yourself. A torn bicep is nothing to mess with! Now I know where you have disappeared to recently. Take care, b
That sanguine sketch speaks to me - very great.
Loriann: You're right! The top one does flow. I love how the value shapes knit together. Looking forward to seeing the color!
Thank you so much Casey.. you and I seem to share a similar vision.
Hi Marianne! Sometimes it just works like that. You know what I mean.. and that's when it feels good. Cheers!
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