retro fave- thinking about the art of making poetry

9x18 pastel and watercolor on Uart

 What is essential to making poetry in a painting? Does the description of the place really matter?  What is it that makes a painting draw you in and stay in?  To me, I may not know what it is but I know what it isn't... Details.  Details are my nemesis. Put it along side persnickity work habits. They carry me in unintended directions. Details are like the letters that make up the words.....but it is the words that make the poetry. 
-->You can arrange the words of a poem just like we arrange the shapes, color, edges and value. Arrange and orchestrate, but details just seem to derail.

Last Wednesday I woke up early knowing we would once again be blanketed with fog. On location the fog was thick. As I worked on the painting I realized it wasn't coming together. I was getting derailed. So I turned my back on the scene and only thought of the poetry of what I saw and the color harmony necessary to make the illusion. Another huge painting will grow from this.


I have been out of town for awhile now, painting in some of my favorite locations. My blog will resume with new posts sometime in September. Till then I will post more retro faves.

poetry

moonlight

newbury haystacks in moonlight

Dwight William Tryon shows the spirit of night. And of morning.

mid-summer moonrise

a misty morning



My favorite quote by him that I keep in my studio is, "The less imitation, the more suggestion and hence more poetry." 

Poetry steps forward.

imitation and poetry

Sunrise:April, Dwight William Tryon, oil on wood 50.9 x 76.3 at the Freer/Sackler

"The less imitation, the more suggestion and hence the more poetry."

Dwight William Tryon

Doesn't that just say it all?
 I am still in the printmaking studio, distilling my images even more.